Art Center College of Design Grad Show Fall 2018
He Jingtang
August 29, 2018
Location: 112 Wurster Hall
Time: 6:thirty-8:30 pm
PLACE, Culture, Fourth dimension — DESIGN IN DRASTICALLY Irresolute CHINA
Architecture is a microcosm of the times. In the by three decades when China experienced massive urbanization, the architectural market also developed from scratch, then grew and expanded explosively. He Jingtang, who has been leading his squad practicing the architectural pattern in the market place from the very first of the urbanization movement, witnessed the drastic changes in China over the by three decades, and every architecture they create reflects profound thoughts on place, civilization and time. His architectural philosophy and works in the by decades, which, despite of the variation of places and custom, keeps abreast with the time and provokes thoughts on future urban development. In this talk, Professor He Jingtang will share his experiences with global architectural innovation.
HE JINGTANG has put forwards the "2 Views" (the whole view and the sustainable development view) and "iii characters" (local grapheme, cultural character and epochal grapheme) on architecture philosophy and innovative thought, which are represented in many architectural works. He has been in charge of more 100 of import projects of compages engineering science design which earned him more than than xl excellent design awards from the state, section and province. His masterpieces include Mausoleum of the Nanyue Rex of the Western Han Dynasty, Metropolitan Square, China Mayors Plaza, SCUT Shaw Building of Humanities, the Sea Battle Museum of the Opium War Museum, Shenzhen Edifice of Science, Foshan Electric Power Mansion, the chief building of the new campus of Zhejiang Academy, Nanhai Higher of Southward Red china Normal University, Chongqing University, Jiangnan University, Guangzhou Higher Education Mega Center, Beijing Olympic Badminton and Wrestling Gymnasium, ix.eighteen Memorial, and more.Sponsored by Choi Kinchung
Get Hasegawa
September 5, 2018
Location: 112 Wurster Hall
Fourth dimension: half-dozen:thirty-viii:00 pm
In his do, Go Hasegawa always strives to explore new possibilities and relationships betwixt unlike realms and build new connections. For him it is always a thrilling take chances which is merely possible by engaging with a sense of openness which is an attitude he adopts towards all domains.
Go HASEGAWA is Director of Go Hasegawa and Associates. He earned a Master of Engineering degree from the Tokyo Plant of Technology in 2002 and worked at Taira Nishizawa Architects before establishing Go Hasegawa & Associates in 2005. He has taught at Tokyo Plant of Technology, the Academy of Architecture of Mendrisio, Oslo School of Architecture and Blueprint, Academy of California, Los Angeles (UCLA) and Harvard University Graduate Schoolhouse of Pattern (GSD). In 2015, he received his PhD in Engineering from the Tokyo Institute of Technology. Hasegawa is the recipient of numerous awards, including the 2008 Shinkenchiku Prize and 2014 AR Blueprint Vanguard. Co-sponsored by the Eye for Japanese Studies
Molly Wright Steenson
September 12, 2018
Location: 112 Wurster Hall
Time: 6:30-eight:00 pm
ARCHITECTURAL INTELLIGENCE
MOLLY WRIGHT STEENSON is a designer, author, professor, and international speaker whose work focuses on the intersection of design, architecture, and artificial intelligence. She is Senior Associate Dean for Enquiry for the College of Fine Arts, the One thousand&Fifty Gates Associate Professor of Ethics and Computational Technologies at Carnegie Mellon Academy and an associate professor in the School of Pattern. Steenson is the author of Architectural Intelligence: How Designers and Architects Created the Digital Landscape (MIT Press, 2017), which tells the radical history of AI'south impact on pattern and architecture, and the forthcoming volume Bauhaus Futures (MIT Press, expected 2019), co-edited with Laura Forlano & Mike Ananny. A web pioneer since 1994, she'due south worked at groundbreaking pattern studios, consultancies, and Fortune 500 companies. She holds a PhD in Architecture from Princeton University, a Master's in Environmental Pattern (architectural history) from Yale School of Compages, and a BA in High german from the Academy of Wisconsin-Madison with honors and stardom.
From 2013–fifteen, Molly was an banana professor in the School of Journalism & Mass Advice at the University of Wisconsin-Madison, where she taught data visualization, digital studies, and communications courses, and led Mellon-funded inquiry projects in the digital humanities. She was a professor at the Interaction Design Institute Ivrea in Ivrea, Italy in 2003–04, where she led the Continued Communities inquiry group, and an adjunct professor at Art Heart College of Pattern in Pasadena in the Media Pattern Practices Program from 2010–12. She has worked with companies including Reuters, Scient, Netscape, and Razorfish. She cofounded Maxi, an accolade-winning women's webzine, in the 90s. As a blueprint researcher, she examines the effect of personal technology on its users, including projects in India and People's republic of china for Microsoft Enquiry and Blood-red Assembly/Intel Research.Co-sponsored by the Berkeley Middle for New Media
Jack Halberstam
October three, 2018
Location: 112 Wurster Hall
Fourth dimension: half-dozen:30-8:00 pm
UNBUILDING GENDER: TRANS* ANARCHITECTURES IN AND Beyond THE WORK OF GORDON MATTA-CLARK
In this present talk, Jack Halberstam looks towards anarchitectural practices of unmaking equally promulgated by the American artist Gordon Matta-Clark (1943–1978) and links the ideas of unbuilding and creative destruction that characterize his piece of work to develop a queer concept of anarchitecture focused upon the trans* body . The concept of "anarchitecture" is attributed mainly to Matta-Clark, whose inventive site-specific cuts into abandoned buildings demonstrated an approach to the concept of home and to the market organisation of real manor that was anarchistic, creatively destructive, and total of queer promise. Of course, this is not to say that Matta-Clark nor any of the participants in the Anarchitecture grouping that he helped to found in downtown Manhattan in 1973 and '74 would have understood their piece of work in this sense. Rather, we might take up the claiming offered by Matta-Clark's anarchitectural projects, in order to spin contemporary conversations about queer and trans* politics away from notions of respectability and inclusion and towards an anti-political orientation to unmaking a world within which queers and trans people, homeless people and immigrants are bandage equally bug for the neoliberal state.
JACK HALBERSTAM is Professor of Gender Studies and English language at Columbia University. Halberstam is the author of six books including: Skin Shows: Gothic Horror and the Technology of Monsters (Duke Up, 1995), Female Masculinity (Duke UP, 1998), In A Queer Fourth dimension and Place (NYU Printing, 2005), The Queer Art of Failure (Duke UP, 2011) and Gaga Feminism: Sexual practice, Gender, and the End of Normal (Beacon Printing, 2012) and, nearly recently, a brusk book titled Trans*: A Quick and Quirky Account of Gender Variance (University of California Press). Halberstam is currently working on several projects including a volume titled WILD Thing: QUEER THEORY AFTER NATURE on queer anarchy, performance and protest civilization the intersections between animality, the human and the surround. This talk is taken from an essay deputed for Places Journal – the journal awarded Halberstam its Arcus/Places Prize this year for innovative public scholarship on the relationship between gender, sexuality and the congenital environs.Sponsored past Arcus Foundation Endowment
Takaharu Tezuka
Oct 15, 2018
Location: 112 Wurster Hall
Time: 6:30-8:00 pm
NOSTALGIC FUTURE
Real man life is supported by latest technologies. Our good future is depending on the respect for the wisdom from our by. We are still a part of the whole environment, yet all the same in the most advanced society.
TAKAHARU TEZUKA
Architect / President of Tezuka Architects / Professor of Tokyo Urban center University
1964 Born in Tokyo, Japan
1987 B. Arch., Musashi Establish of Technology
1990 M. Curvation., University of Pennsylvania
1990-1994 Richard Rogers Partnership Ltd.
1994 Founded Tezuka Architects with Yui Tezuka
1996-2008 Associate Professor, Musahi Institute of Technology
2009- Professor, Tokyo City Academy
Co-sponsored by the Center for Japanese Studies & The Consulate General of Japan in San Francisco
Mark Cavagnero
October 24, 2018
Location: 112 Wurster Hall
Fourth dimension: half dozen:thirty-8:00 pm
SITE, Book AND Lite
The lecture will touch on a range of project types which are all similarly grounded past core values of site responsiveness, manipulations of volume to make form and the fundamental importance of daylight.
Mark CAVAGNERO, FAIA, is the Fall 2018 Howard A. Friedman Visiting Professor of Practice, a CED alumnus, and the founding primary of Mark Cavagnero Associates. Mark provides leadership over the pattern of all projects within his business firm. Whether a project is designed solely past Mark, or a collaboration with another business firm, Marking is adept at leading the squad to make decisions that reinforce the original design intent. Marker brings over 3 decades of expertise in the planning, design and construction of civic and cultural facilities and his efforts in the process will aid in the creation spaces that are inspiring, functional, durable and well-detailed. Mark'south piece of work has been recognized with over 100 blueprint awards for more than 30 completed projects. Mark was personally honored with the 2015 lifetime achievement Maybeck Award and the 2010 Distinguished Practice Accolade from the AIA California Quango. Under Marker'southward leadership the firm ranked #viii in Architect magazine's ranking of the top architecture firms in the country for design in 2014. The firm also received the 2012 Firm of the Year Award from the AIA California Council. Sponsored past the Howard A. Friedman Endowment
Neeraj Bhatia
November 7, 2018
Location: 112 Wurster Hall
Time: 6:30-8:00 pm
TERRITORY & Class
The majority of compages and urban design of the twentieth century aimed to tame the contradictory, heterogeneous, and contingent urban environment, both physically as well as socio-politically. Instead, this lecture will present a serial of projects that effort to reconcile and empower the role of architecture within the transforming, evolving, fluctuating, and indeterminate conditions of the urban center, information technology'south public sphere, and information technology's ecological context through re-evaluating Umberto Eco's concept of The Open Work. The Open Piece of work straddles the fine line between the individual and commonage, breezy and formal, selection and control, impermanent and permanent. Through a series of design projects at a variety of scales, the lecture will examine how the human and ecology subject and their private, transforming, ephemeral, and often contradictory characteristics tin can continuously recompose a permanent work. Design is not lost in this equation but rather re-centred on orchestrating the negotiation between indeterminate subjects and determined form through techniques such every bit frameworks, living archives, articulated surfaces, commoning and rewiring states. Positioning the agency of the designer equally a choreographer, the lecture will clear a way for architectural form to deed on the territory.
NEERAG BHATIA is a licensed architect and urban designer from Toronto, Canada. His work resides at the intersection of politics, infrastructure, and urbanism. He is an Associate Professor at the California College of the Arts where he also co-directs the urbanism enquiry lab, The Urban Works Bureau. Prior to CCA, Bhatia held pedagogy positions at Cornell University, Rice University, and the University of Toronto. Neeraj is founder of The Open Workshop, a transcalar pattern-research role examining the negotiation between compages and its territorial surroundings. In 2016, The Open Workshop was awarded the Architectural League Young Architects Prize. Select other distinctions include the Emerging Leaders Award from Design Intelligence, Graham Foundation Grants, The Lawrence B. Anderson Award, Beat Center for Sustainability Grant, Odebrecht first-prize Award for Sustainability, ACSA Faculty Design Accolade, ACSA Housing Education Award, and the Fulbright Fellowship. He is co-editor of books Bracket [Takes Action], The Petropolis of Tomorrow, Bracket [Goes Soft], Arium: Atmospheric condition + Compages, and co-author of Pamphlet Compages xxx: Coupling — Strategies for Infrastructural Opportunism. Neeraj has a Master caste in Compages and Urbanism from MIT and a Bachelor of Environmental Studies and Bachelor of Architecture from the University of Waterloo. Sponsored by the Joseph Esherick Endowment
Carl Anthony
Nov 14, 2018
Location: 112 Wurster Hall
Time: six:30-eight:00 pm
THE Earth, THE Urban center AND THE HIDDEN NARRATIVE OF RACE
Environmental and social justice activist Carl Anthony draws on decades of experience as an builder in his new book, "The Earth, the City and the Hidden Narrative of Race." The volume, role memoir and part tutorial, grapples with questions of urban democratization and sustainability in the context of shifting social norms and changing ecology realities. Anthony joins united states to discuss his life's work and strategies for enhancing disinterestedness in a irresolute globe.
CARL C. ANTHONY, architect, writer and urban / suburban / regional blueprint strategist, is revered every bit a social and environmental justice leader. He was the founding manager of Urban Habitat, one of the country's first environmental justice organizations, known for pushing the mainstream environmental motion to confront issues of race and grade. With colleague Luke Cole from the California Rural Legal Aid Foundation, he edited and published the Race, Poverty and the Environment Journal, the first environmental justice periodical in the United States. Later on leaving Urban Habitat to concentrate on writing a book, he was recruited to lead the Ford Foundation's Sustainable Metropolitan Communities Initiative. During his years at Ford, he became aware of potential pathways to economic and social disinterestedness for marginalized communities by treating the city, suburbs, and surrounding rural areas as an interdependent holistic organisation—the metropolitan region. Carl initiated the national Chat on Regional Equity (Cadre), a dialogue of national policy analysts and advocates for new metropolitan racial justice strategies. Leaving Ford and returning to the West Coast, Carl teamed up with Dr. Paloma Pavel to create the Quantum Communities Projection, dedicated to empowering grassroots communities in metropolitan regions and nurturing multiracial leadership. Carl and Paloma are producing a series of workshops on Climate Justice with depression income communities of color in Sacramento, San Diego, and Sonoma, as they develop a toolkit for Building Healthy and Only Communities for All in California in an Age of Global Warming. Carl has taught at the Columbia University Graduate School of Architecture and Planning and the UC Berkeley Colleges of Ecology Design and Natural Resource. In 1996, he was appointed Swain at the Institute of Politics, John F. Kennedy School of Regime, Harvard University.Sponsored past the Ken Simmons Community Lecture Endowment and the CED Alumni of Color
Source: https://ced.berkeley.edu/events-media/lecture-series/past-lectures/fall-2018-arch-lecture-series/
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